Artists and the public react to the existing situations in America.» Friedrich Petzel Gallery, New York. January seven — February eleven. «Cynthia Daignault: There is nothing at all I could say that I haven’t believed in advance of,» The FLAG Art Foundation, New York. January 19 — May 13. «Unique and Singular,» Cirrus Gallery, Los Angeles, California. January 31 — March eleven. «Politicizing Space,» The Anya and Andrew Shiva Gallery, John Jay College of Criminal Justice, New York. Curated by Charlotta Kotik. February 2 — March 31. «Minimalism/Post-Minimalism,» Weatherspoon Art Museum, University of North Carolina, Greensboro, North Carolina. March eleven — June 4. «Doppeleröffnung — Karin Sander: Zeigen und The Present Order.» An audio tour by the assortment of the Museum of Contemporary Art Leipzig (GfZK), Leipzig, Germany. March seventeen. «Darkling,» Barbara Krakow Gallery, Boston, Massachusetts. March 18 — April 22, 2017. «Picture Industry,» Hessel Museum of Art, Annandale-on-Hudson, New York. Curated by Walead Beshty. June 24 — December fifteen. «Répliques : l’original à l’épreuve de l’art,» Musée des beaux-arts de La Chaux-de-Fonds, Switzerland. Autour de la assortment d’Olivier Mosset. June 30 — October 29. «Exo Emo,» Greene Naftali Gallery, New York. Curated by Antoine Cantala and Vera Alemani. June 29 — August 11. «The Way Beyond Art,» Van Abbemuseum, Eindhoven, The Netherlands. Curated by Christiane Berndes, Charles Esche, and Steven ten Thije. July one — December 31. «From Duchamp to Cattelan.
Good Timing,» Georg Kargl Fine Arts, Vienna, Austria. June 30 — August eight. «Sight & Sound,» Nora Eccles Museum of Art, Utah State University, Logan, Utah. 2005-2006 «Part Object/Part Sculpture,» Wexner Center for the Arts, Columbus, Ohio. Curated by Helen Molesworth. November 1, 2005 — February 28, 2006. «25: Revisiting the Art of the Eighties,» Museum für Gegenwartskunst, Basel, Switzerland. Curated by Philipp Kaiser. October 30, 2005 — February 12, 2006. «Looking at Words: The Formal Presence of Text in Modern and Contemporary Works on Paper,» Andrea Rosen Gallery, New York. October 28, 2005 — January 14, 2006. «Big Bang — Destruction and development in twentieth century artwork,» Le Centre National D’Art et de Culture Georges Pompidou, curated by Catherine Grenier. Catalog, in French and English. 2006 «Los Angeles 1955-1985: The Birth of an Art Capital» Centre Pompidou, Paris, France. Curated by Catherine Grenier. Catalog. March eight — July 17. «An On-Going Low-Grade Mystery,» Paula Cooper Gallery, New York. Curated by Bob Nickas. «3D: An Exhibition of Contemporary Sculpture,» Carl Solway Gallery, Cincinatti, Ohio. «Made in Usa,» Galerie de multiples, Paris, France. May 6, — June fifteen. «Discussions dans le Boudoir,» Musée Magnin, Dijon, France. May twenty — June 26. «A Piece of History,» Charles Cowles Gallery, New York. September. «Minimal to the Max: The Brownstone Collection,» Tampa Museum of Art, Tampa, Florida. «Le noir est une couleur,» Fondation Maeght, Saint-Paul-de-Vence, France. June thirty — November five. «Konkretismus : Material/sprache und abstraktion seit 1955,» Baden-Württembergisch Bank Vorstand, Stuttgart, Germany. «Into a Journey: Harald Klingelhöller, Allan McCollum, Helen Mirra, Jonathan Monk, Lawrence Weiner, Christopher Williams.» Meyer Riegger Galerie, Karlsruhe, Germany. Nov. 4 — Dec. 9. «Ad Hoc,» Sant Agata dei Goti, Benevento, Italy. Curated by Gabriele Perretta. 2006-2007 «Allan McCollum: Plaster Surrogates and Perfect Vehicles,» Maruani & Noirhomme Gallery, Knokke, Belgium. s «Faster!
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